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23.07.2008
 
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> Laibach's Volk Konzert in Bulle, Switzerland

> Laibach among superheroes

> Laibach, the sound of today

> Nationalism goes pop - Quo Vadis Laibach?

> Konzer fuer das kreuzschach und vier schauspieler

> LAIBACH Focus, Travelling Photo Exhibition

> Launching of LAIBACH ANTHEMS

> Monumentalna retroavantgarda

> LAIBACH in Sofia - When Life becomes a reality

> Ljubljana welcomes LAIBACH

> Earth WAT and Fire

> "I Want To Fly To Berlin"

> "Mashines We're Sending To The Skies!"

> First we take Tilburg, and then we dance to Berlin

> My walk into the universe of Laibach Kunst Maschine

> LAIBACH: Paris,
Monday October 6th


> Q: Are We Not Men?
A: We Are LAIBACH


> Achtung! - Laibach in Kranj 05-09-03

> WAT - Tanz Mit Laibach: Reactions

> Welcome to the Universe of LAIBACHKUNST-Machine!

> Reaction to "LAIBACH 01.02.03 Siddharta Club"

> LAIBACH 01.02.03 Siddharta Club

> The John Peel Sessions

> Slovenian Philharmonic Orchestra
 

Achtung!

Laibach in Kranj, Khislstein Castle, 5th of September, 2003.

by Zlato Krec

One week or two, before LAIBACH would hit the European tour, International Multicultural Festival Carniola in Kranj - Slovenia, promised to conclude their festival with a spectacular concert of LAIBACH - the world premiere of WAT Tour programme. Usually, Laibach would give a concert only some time after the tour for domestic audience. For example, Kapital was presented even with a delay of one year or two. So, it was a very rare occasion, if not unique, to experience the world premiere. The WAT premiere in Trbovlje, just some six weeks earlier, announced an excellent album of great songs with witty lyrics and made us predicting that the coming Laibach tour might be the most victorious in their entire rich and proud history. Curiosity of how will they put the tour set together was a big enough challenge to hit the autobahn to Slovenia.

Those who were entering Slovenia by cars from Karavanke tunnel around 5th of September were warned with huge Achtung! posters around every corner all over the region of Gorenjska, way down to Ljubljana and maybe even further. Achtung!, Achtung! everywhere... Only those who knew were greeted by these posters as name Laibach was written on them in a very small letters. The road from Ljubljana to Kranj was extra postered with Achtung! posters with added banners: "Laibach in Kranj - tonight!". All this was promising a seriously organised event.

Khislstein Castle was pretty lonesome at some three quarters before the announced concert. Metal fences of the the corridor to the entrance revealed that a lot of people were expected. I heard that 2000 souls could be packed in the courtyard of the castle, while some other said that police doesn't allow more than 1500. Was it the paranoia of Kranj Police department which experienced a huge vandalism of the water polo hooligans from Croatia and Serbia recently, or lack of knowledge that Laibach audience is always very cool and civilised? Those who caused most troubles to Laibach in the far past was not their audience but Police itself.

For a short time, next to the bar, one could notice a small NSK merchandise stand in dismissal. I just had some time to discover the new tour T-shirts, a shoe-shine kit "Glanz mit Laibach", a search light "To the New Light", a Laibach phone book, and lots of other more or less funny things. Achtung! Laibach is going to empty your pockets if you meet them anywhere on the tour. On the right side, halfway between the stage and the mix desk was a huge projection screen of the Carniola Festival to project the happening on stage. Everything seemed to be well prepared and ready to kick start the spectacle. Ivan The Terrible of Laibach was prepared too with his film projector, so he was able to greet now and then acquaintances or friends who started to drop in to the venue. He reminded me of Tito greeting and welcoming his politician comrades...

Audience slowly started to drip in to pack the Khislstein courtyard while the sound system was playing some choral music in the background just to set the audience into a "serious" mood. The courtyard was pretty packed already at the announced time, which is 21:30. But only fifteen minutes later we noticed that the music in the sound system had changed. It started with a beautiful children's Christmas song which was followed by Ave Maria mass in Latin. I believe this was in order to consecrate the ground of the venue, so the immaculate performance of LaibachKunst Machine could begin. Consecration became very popular in Slovenia after the event on Mt. Kum which was followed by huge controversy. The highest Slovenian Church dignities accused Laibach of Satanism, boozing, smoking Marijuana, and the rest of vices...

After the mass at 22:00 sharp, members of Laibach started to conquer the stage one by one in a non spectacular way. Dejan took place at his chess decorated keyboards. Matej- the "guitar god", took his place left of him. Roman - the veteran Laibach drummer - sat behind his drums right from Dejan. Nikola the bass Lord took his place right of Roman, and our Big Brother Milan in front, decorated with two drummer recruits on his each side: Heidi and Hellga dressed and armed to drum and kill. They are Laibach's newest achievement, and boy, they really look great in the style close to Lara Croft. Don't even think of getting close to them as they can sure kill you just with their cold and piercing look. Laibach never looked so sexy before. OK, there was some controversy about the girls in Slovenian press after the WAT premiere in Trbovlje, but I don't want to dig that dirt in this place, because it is not important on the international scale. Girls are doing their job as hell, and that is their entire job. So bang the drums!

Laibach kick started the set with anthemic B Mashina which was much more pronounced this time then six weeks ago in Trbovlje. Since then, they had three gigs under their belts and I could notice only more confidence and determination. Milan was at his best. In the Army Now, Dogs of War, and Alle gegen Alle followed. I must admit that I don't consider the NATO album Laibach's ultimate achievement, but this time all these songs sounded great as if they were from WAT album. Most of us know by now that Laibach is constructed of many paradoxes. One which appeared very obviously this time was that Laibach sounds as a techno band while they look pretty much like a normal rock combo when we would abstract their militaristic looks. In this respect I must specially expose the "guitar god" Matej who was constantly providing all kind of pertinent noise. Bravo, maestro! With his guitar, the WAT songs sound even better than on album.

I noticed a small group of Slovenian nationalists (or were they skinheads?) waving their white flag with a black panther of Karanthania. They were pretty noisy and accepting every word from Milan very seriously, saluting him with Sieg - Heil! frequently. But, no other harm was done. Mars on River Drina was a turning point where all the photographers (a numerous bunch) had to leave the three meters wide corridor which separated the audience from the stage. Laibach blasted off God is God, but when they started Tanz mit Laibach everybody went bezirk jumping and dancing to Laibach, while the Sieg-Heil-ing and "Laibach - ϋber Alles" shouting could be heard again very often. Next songs continued in a blitzkrieg style: Du bist unser, a great song in dub style (!!!). Achtung! warned us about the danger when looks are deceiving, and everybody changing its coat. Did anyone notice yet that Laibach can be sexy too? Hell : Symmetry and Du bist unser are the best proves of that. And I'm not talking about Heidi & Hellga. Now You Will Pay followed, Satanic Versus, Das Spiel ist Aus, and The Great Divide. Unlike in Trbovlje, this times it seemed (at least to me) that the lights were used better and making the coloration of the songs more various. Laibach concluded the set with another anthemic song We Are Time. While they were leaving the stage I noticed something what I never have seen before: Milan and Dejan (and others maybe too) waved to the audience. This is pretty unusual for Laibach which always kept an ice cold distance with their audience. Besides, for some time already, Laibach does not need to play the applause at the end anymore to come back for a "spontaneous" encore. They won the applause on their own with people scansioning and shouting "Laibach - ϋber Alles". Laibach let us wait for some time - they let us work for a change. But, soon enough they returned to the stage the same way as they left it, giving away a couple of waves to audience. They blasted off Anti-Semitism, which is the only song in Slovenian language on WAT beside German and English songs. Sympathy for the Devil followed and concluded the show with pyrotechnic effects. Laibach left us all in the dark for a short while and then Ave Maria mass was continued, just to make sure that evil forces were blown away, and the ground of the venue was properly consecrated again. Soon after, white lights were turned on, and a remix of Tanz mit Laibach started to play while crowds started to break up. The musical part of the concert was some 85 minutes long while the mass lasted at least some 15 minutes before and after the event.

LaibachKunst Machine proved to be well oiled, in full swing, and ready to conquer Europe. America will follow soon, and then the entire World. After twenty-three years of existence they stand more firm than ever in their boots. Don't miss them if they play in any town in your neighbourhood. Bring your parents and siblings with you. They have many things to tell, and question you. Your life won't be the same again. The missed chance won't come again.

Set list:
1. B Mashina
2. In the Army Now
3. Dogs of War
4. Alle gegen Alle
5. Mars on River Drina
6. God is God
7. Tanz mit Laibach
8. Du bist unser
9. Achtung!
10. Hell : Symmetry
11. Now You Will Pay
12. Satanic Versus
13. Das Spiel ist Aus
14. The Great Divide
15. WAT
-----------------------
16. Anti-Semitism
17. Sympathy for the Devil


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