NSK STATE
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28.08.2008
 
  
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Laibach: Made in Yugoslavia?
Alexei Monroe

XY Unsolved: NSK and Encrypted Culture
Alexei Monroe

Laibach - A Look directly into the Truth
Nikica Korubin

Zizek: Ambivalence and oscillation
Ian Parker
 
Interrogation Machine:
Laibach and The NSK State

Alexei Monroe
 
Simposion Laibach
Nikica Korubin

Three steps from Utopia to Reality
Nikica Korubin

The Truth is in the Retrogarde
Nikica Korubin

Why are Laibach and NSK not Fascists?
Slavoj Zizek

Welcome to the desert of the real II
Slavoj Zizek

 

Laibach - A Look directly into the Truth

1st of June, 25 years of Laibach existance

By Nikica Korubin

When a question is asked, it is done straight and without compromise. That is because the question should determine knowledge about the things that are comprehensible without the answers. The answer is not the key element in the relation of the one asking the question and those surprised by the act of asking. The key element is the very idea to open the things, to expose the fine treated reality, to ask the question. The question that no one expects, nor wants. It is easier to lead the things under the ordinary flow, in a way that others want, because no one wants to see the truth. The truth is the subject of perfidious politicization of the presence. It is the very contortion of the reality. The other reality in which everyone lives without knowledge or will, without motive or courage. But the answer is here. And what happens with the response? Did anyone try to define himself? To give the answer of the question which one has listened, from the other, from those who are always controversial just because seeing the truth from the other side of the perverted reality.

Laibach exist from the essence of their country. They exist as the essence of their time and the history of their time. They do not abandon their own collectivity, in all its essence. Collectivity is an identification point, a way to understand the past, a possibility to deny the presence. It is negation of the time spirit which can be more destructive than the so called Laibach negativism. Although they have always worked from the very core of the life, making from it their own triumph over the dilemma of the presence, the positivism is the first definition when it comes to analyzing their work. If it is hard, destinate, and not always comfortable for accepting, it is not their fault, it is the reality itself. It is the same misunderstanding produced by the symbolism and aesthetics that were used. Difficult confrontation with the evil imagination of the same common past, which everyone lives according to its need as a selective presence. Collective memory is not individual, and remembers what someone doesn’t want to see. The Laibach collectivity does not allow at all mistake of the individual, and eventually concession from the truth. It is not opposite of the emotionality and sensitivity, because the music is the feeling, and the art of creating and making music is the talent of the mind. Nothing can be made just by intuition, by problematizing own authentisity, though thought is what leads the things on their place, by every year that passed with existance of the collective which woke up the memories from the past - Laibach.

Who are the ones creating the presence? Can one attempt change it? Is the Laibach's attempt our experience which should open their question, as our own? And is it one of the aims of the art? If what we call art has any aims. Because nobody wants to hear the beautiful things in a simple way anymore. As just a few in the totality are trying to hear the speech or to understand the appearance of the art collective Laibach. To understand their constancy in creation of the simple things. For is there something more simple than the wish to know its own time and its flow? What makes it like that, so strange for us? Strangers in our own home. In our own space in the virtuality of the state which raised from the long experiencing of the reality of Laibach, the state of NSK, although they confronted directly with their own nationality. They reaffirmed their culture in a spectacular way. And Laibach decided to build their own state, a counterpart of a real one, to overcome every possibility to be defined just as an art collective. They went far beyond that, searching and finding their example in the history, knowing wisely that originality is not the aim that human creativity searches for. The same stands for the creativity of their collectivity, which was and still is one of the most revolutionary ideas of creation, but the reality always wanted to equate Laibach and the collectivity of the recent political systems. But at the same time forgetting that nobody has the right of the exclusive definition and determination of the past on the base of our present. Laibach determined the eternity as their law, although the cognition of the eternity means confronting the death and life, the beginning and the end, as the moment of the temptation and experience, and not as acceptance of the fear.

Laibach were, are and will be a controversity for the mind of the present. The world, at least until now has not confronted with its mistakes, with its past, and non-existing future. No matter how easy is the momentally escape from the thinking about the answer to the question of Laibach, everyone will come once to the same dilemma. Is the possibility of cognition a privilege of someone else, and not the ability of everyone to confront the problem of the possibility to change the attitude toward the things which are ours. Is that other in fact our fear to look directly in the truth? And there no one knows what will see. Laibach did not know as well, but at least they looked in it.